Wednesday, November 15, 2017

Chani Zwibel At The Abandoned Shrine of Cosmic Punchlines and Saint Catherines Ready For Shadowed Miracles


Holes folded over on the map
 for the pathways back to this abandoned shrine.
Pushing the paper boat back out into the pond,
hoping the November wind won’t bring it around again. 
The weight of sadness always dwells like a specter,
 like a little black shadow crouching in the basement.
 A cat down there should catch this mouse.
 Thoughts having a drunken party in my head won’t shut up.
They’re talking and walking Pomeranians
 and shouting randomly
even though it’s rainy and dark
 and like 10:30 at night.
 “Go home, drunks!”
 I want to scream but never do.
Why I came down to the basement in the first place:
 to use the Pittsburgh Potty in the back corner,
 and try to calm the inner vision sensing these ghosts.
One memory of panic
 will rip through the tranquility
of a cold fall’s morning sleep.
I want the back yard,
the tangled jagger bushes
 all the way up the hill.
Give me the mythic long hall in the forest.
I shall suffer no more these fools. 
The children of the forest honor the domain of the crone.
 You can find many deer in cemeteries
and sometimes antlers they’ve dropped. 
There’s many old home plots up on these hills,
full of leaning marble slabs,
etched names rubbed smooth
by centuries of wind and rain.
In the end, none of our hurt feelings matter.
 None of our attachments matter.
The love we share with others,
 families and lovers and friends and dreams and wishes
all have been hooks to tether us to this ball of dirt.
When asked why prayers for peace on earth
have not been answered by God, I think:
maybe this whole time they've just been praying for pieces on earth.
Or peace on earth does exist,
but we are too wrapped up in our attachments to accept it
I can’t always find peace within my own heart,
let alone the heart of the world. 
Guess that’s the trick of it,
the punchline of the cosmic joke:
Peace in my heart is
peace in your heart
 and peace in the world’s heart.


 Shadows creeping up the wall,
 Shadows sneaking into
 your conversations.
Pierced and rolled
on a wheel of spikes,
Saint Catherines,
we bleed.
Rain soaks the scorched
 soil of a forest razed. 
Voices say “believe”.
Other voices say “lie”.
It is all the same.
 So are you and me. 
Horses graze in the high
 mountain meadows.
 Grief sits heavy,
a gruesome gargoyle
carved in stone
 on the parapet of my heart.
 Everyone you’ve ever
 known or loved
 will sleep in the dust,
as will you.
 These few mad,
frenzied years,
 a moment only. 
Breathe in.
Don’t watch the shadows. 


Big bundle of love,
 Student Loan Debt,
 you are our BABY!
Some of our friends
 never went to college.
They got married
 (or didn’t get married)
And had BABIES!
But we went
and got some English Degrees.
They cost a lot of MONEY!

Chani Zwibel is a graduate of Agnes Scott College, a poet, wife and dog-mom who was born and raised in Pittsburgh, Pennsylvania, but now dwells in Marietta, Georgia. She enjoys writing poetry after nature walks and daydreaming.  

Sanjeev Sethi Speaks of Anhedonia While Universe Treading And Wool-Gatherering At Caravans


It takes years
to locate words 
that represent us.
Sample it:
This stemmed 
in abstemiousness
of feelers
at pupilage.

Those with
are fortunate.
There is little
to fret about
when sentience 
is silenced.


In the warmth of wainscot I reach where Erato
and her avatars rev me to. Be my farrier. Let
me and my playmates in word leap. Mansuetude
of memory sires a smile. Memos from outturn 
in emotional ventures enhearten me to hum.
You debauched my bitty coop with images
of bad faith. We relit other registers. Floret
of fidelity chose not to charm my boutonniere.



Accumbent, our favorite pose: while my palm
strived to cover your contours: it seemed I was
treading the universe. Your quirky postures
marginalized my moves, magnifying the distance.
I had to alter ploys. These many years later my
bibelot: was that innocence or artifice?


Don’t accuse me of being a lexical brainiac. Words
aren’t your ally, the footlights are. Without sennet or
tucket you exited. Hushed partings too create havoc.
Peccavi is hard. One can’t jaculate the fescue.

Decree Nisi 

Graced by a clump of guisards
with an arietta as earworm, I
am a cambist on a caravan. So
I wish to believe while wool-
gathering. The truth: I have
divorced my body. I live in it
but we aren’t compatible. I
have accepted the differences.

Sanjeev Sethi is the author of three books of poetry. His most recent collection is This Summer and That Summer (Bloomsbury, 2015). A Best of the Net 2017 nominee, his poems are in venues around the world: The Stray Branch, Ann Arbor Review, Empty Mirror, First Literary Review-East, Right Hand Pointing, Grey Sparrow Journal, The Synesthesia Anthology: 2013-2017, Rasputin: A Poetry Thread Anthology,  
Scarlet Leaf Review, London Grip, Peeking Cat Anthology 2017, Communicators League,  and elsewhere. He lives in Mumbai, India.  

Wednesday, November 8, 2017

Paul Koniecki Delves Into the Miraculum and the Japanese Forest as the Typewriter Keys Open the Jarmusch Scene

harry dean stanton says i 
can remember him anyway i want

my maternal grandfather's
given name was jerome

but everyone called him harry
grandma ann sang i want that man

i cant answer for the dean part or
anything beyond my own bad choices

but if you knew ann then you'd have
seen he never stood a chance

it's an understatement
to say that i am jealous

of the painters and the actors
and the sculptors self-evidently

covered in each day's miraculum
knowing i'd give anything

for a studio of my own
to have something to come out from

i even put on a bowler
and an eye patch before

i sat down just now only to find
nothing helps this poem


witness to the spectacle 
of fearsome acts 

tonight came in one
door and out the
next you said the
moon is a rock

in the sky i
keep hearing her call
to me the heart
is a japanese forest

of echoes gathering encircled
so loosely it holds
when the enemy is
all that they want

of you next they
tried killing us by
double knots untied
doubt and rope nightmares

where their pillory has
grown up beyond our
means to contain it
murder of ravens unkindness

of doves they have
ordered me to stay
i tried to imagine
kind birds softly floating

over a black-sand beach
as hard work dropped
three honest hammers in
the long grass behind

the barn and you
sing to me of
riding over a green
field by horseback or

levitation fog crowned mountains
on either side
sending a little holiday
joy your way sticks

clubs righteous blessed mean
right hands friends ready
for the fight and
honest enemies watching our

great great grand-dad
reading a thirty-five
hour poem standing on a
shoebox where corners

meet is the strongest
place this is how
the word promissory will
die in the future

making our own shoes
tables plates abomunists coming
later sailing up through
new orleans i burn

the shape of your
lips into light the
thing about silence
is the end

rolling hunter/killers dodging
the tectonic percussion of
plate shift and toothpaste
accusation a distant memory

of enamel the oculist's
revolt eye-teeth and broken
shards of art glued
to a squat wall

the movie 'children of
men' saved on your
phone we dyed our
hair cherry kool-aid pink

long soft hours short
hard days i need
more black of night
with you we echolocate

for water and love
my fingerprints draw the
shape of your lips
into light the thing

about silence is the
end so they will
know we were earthlingers
i read from grandma's

big no big country
big enough book of
socialist recipes for the
hard trip west california-

pennsylvania' so they will
know we were collateral
nov '39  july '71
shred feelings tamp blues

and ownership papers into
a cup hot water
for tea steep paper
drink ink boiling like

steam goes up like
tears in your eyes
come down when
they approach for your

lands or your squat
break the service raise
shards to bloody lips
porcelain patent leather high

heeled boot confusion smooth
reshape ceramic melt arrowheads
and fire accordingly gentility
and full sentences lost

to time to too
many moves batteries tred
worn tires water gambles
lost survival prima prima

prima the shadows swallow
everything parallel lines never
meet to make a
circle you have to

bend to love or
hate hungry is a
god thirsty is a
devil oxygen and comfort

a mother and a
child the thing about
silence is the end
in one door and

out i love you
i love you prima
prima prima survival survival
is always the thing


i feel bad for time
to never have an

the floodlight on the porch
is a motion detector
i crash

at this girl's place black
black hair variant variant
skin raspberry

lips amy wine house around
the eyes wonder woman
around her

lasso-intellect india pale ale
in my mouth jim
jarmusch movie

in the air every time
she pulls me down
again with

her golden rope with her
fine body and her
mean hands

the flood light on the
porch goes off angels
lose their

wings i see your face
i see your face
your face

the scene opens with the
sound of typewriter keys
being pressed

i don't think they are
real typewriter keys being
pressed i

think it is an app
there are five pink
roses on

the card table in a
chipped mint vase those
are real

she wipes my chin with
her forefinger the spoon
is cold

lifting another scoop of butter
pecan to my lips
i freeze

the scene opens on piles
of rock i don't
think the

sound of typewriter keys being
pressed is an application
inside she

wipes my chin with her
forefinger the spoon is
cold lifting

another scoop of butter pecan
to my lips i
freeze the

flood light on the porch
goes off angels lose
their wings

i see your face my
clock is a clock
my hands

are clock hands the ticking
seconds are dogs held
back by

strangers in the dark we
made a tent god told
me to

sing to the rattlesnake as
i held it in
my arms

and felt the snake's head
turn and it's eyes
were god's

eyes and it came for
me and i died
like a

soufflé in the oven with
the door open too
fast letting

all the flies in there
was a class explaining
it all

bow ties and cummerbunds we
couldn't afford cake anyway
boris karloff's

final words were walter pidgeon
the floor shook like
a conductor's

baton drawn and quartered is
a rough go pessimism
isn't creation

and it isn't wisdom when
the rain falls there
is water

and there is gravity i
misunderstand the starting place
green is

happy it isn't gray gray
doesn't know stone can
be beautiful

the valley is a huff
the horses come over
the hill

and the hill shakes like
a lost patch i
don't see

any dogs i hear the
drums plug in the
mic plug

in the mic bring me
everyone bring me every
every one

Based in Dallas, Paul Koniecki's latest books of poetry are, "After Working Hours" from NightBallet Press and "Reject Convention" by KleftJaw Press. His poems appeared in the Richard Bailey directed movie, "One of the Rough" AVFF Cannes at the Berlin Experimental Film Festival in December of 2016. Together Paul and his wife Reverie Evolving facilitate poetry workshops, readings, retreats, and non-traditional publishing in the Dallas area and beyond.

Wednesday, November 1, 2017

Tara Lynn Hawk Up the River of Babylon With the Ghost of Modigliani Like a Pilfered Cadaver by the Felled Golden Spruce

On Viewing The Liffey At Midnight With The Ghost Of Modigliani 

If only he would push her in 
Filthy water always runs 
And it’s going, it’s going  
it’s gone 
Oh yes he knew 
how to paint them 
All blue and black 

Discordant Adagio 

I am a bit overwhelmed with suicide bombers and harp seals  
clubbed and dog meat eating festivals and women stoned to  
death for falling in love with the “wrong” man with homeless  
veterans….or homeless anyone for that matter, kittens taped  
into a box and thrown on the side of the road my family thinks 
 me a nut with my 
hippie clothes and  
library of beat poets 
At least I am not that woman who locked her kids in the trunk  
of her car so she could go shopping 

The Not Bright Future (Currently On Hold) 

They will not admit us so we remain abandoned  
and unclaimed 
We’ll go ask the Church of Saint  
John Coltrane to take us to the river 
of Babylon once removed or some other river or stream we don’t care 
Campfires to dance around in a mummified haze of indifference 
Spines tingling, nail beds raw 
Yes we will fit in 
We have to  

Overworked Medical Examiner's Assistant 

We are always shorthanded here in this 
cold, dated building of tile and  
sterile stainless 
Made for function not visual harmony 
Daily I see the unnecessary cruelties inflicted by one being onto another 
Often for no reason at all 
than the a rumpled twenty  
The so-called “natural” deaths much fewer 
I  photograph mottled bruises and gaping wounds and pilfer  
the blood from the cadavers 
Not so meticulous tissue sectioning and the spending 
of much time moving my work around, in and out and  
around the fridge where some  
unwanted bones stay for years 
From the long window I see the park outside 
Birdsong permeates these walls as formaldehyde 
does my violent, intimate tasks 
Life goes on amongst all these mortal cells in  
slow decay  
Last fall they cut the tall golden spruce down 
Diseased, they said 
Dead trees felled, dead  
bodies incised 

Tara Lynn Hawk is a poet and writer whose work has appeared in Occulum, Uut, Spelk, Spilling Cocoa, Ant-Heroin Chic, Social Justice Poetry, etc.  Forthcoming In Idle Ink and Midnight Lane.  Her first chapbook, The Dead, is available on Smashwords.  "taralynnhawk.com